Autumn books!

I love autumn. The chill in the air, the colours, the smells, the darker nights. To me, autumn is hot, comforting drinks and nice, comforting books.

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This autumn, my reading list is particularly self-indulgent. I almost wish for poor weather to justify the hours I plan to spend on the sofa with a stack of books. While it is not looking like 2016 will be particularly nice and chilly (given recent heat records), we can always hope for a few thunderstorms. Given my penchant for horror, that would suit me just fine.

Fellside img_2261by M.R.Carey has been on my radar for some time, and I’m hoping I’ll be able to wait until Halloween to dig into that particular book. A twist on the classic ghost story set in a prison at the edge of the Yorkshire moors should fit the season nicely. I have been told that Fellside is a book susceptible to spoilers, like Carey’s earlier The Girl With All The Gifts, so I’m staying clear of reviews, although ratings suggest I’m in for a treat. Actually, just looking at the cover makes me excited. amityvillecover

I’m planning on tackling an old classic: The Amityville Horror: A True Story by Jay Anson, as it is one of those stories I’ve watched but never actually read. I have been told that the book is creepier than the film(s), so I’ve got my hopes up.

I’m also looking forward to a steampunk fix. Island of Birds, the sequel to Austin Hackney’s Beyond the Starline, has recently been released, and I may also pick up a book in the Clockwork Century series by Cherie Priest, probably Clementine or Dreadnought. If anyone has any thoughts on which I should go for after Boneshaker, let me know in the comments.

aftermathYet another sequel, Aftermath: Life Debt by Chuck Wendig, is also on my list, which should get me in the mood for the upcoming Star Wars Rogue One film in December (not that I need to get more in the mood for Star Wars). I truly enjoyed the first Aftermath novel, although I am aware that the response to it was not uniformly positive. All I can say is that Mister Bones is right up there with BB-8 on the list of favourite droids, but for very different reasons.

I also plan to settle down with two non-fiction books: 1812: Napolerabidon’s Fatal March on Moscow by Adam Zamoyski, which was recommended to me more than a year ago by a friend, and Rabid: A Cultural History of the World’s Most Diabolical Virus by Bill Wasik and Monica Murphy, simply because the subject matter is fascinating. The monster du jour, zombies, do not make an appearance in Rabid, if reviews are to be believed, but I expect to get a fair few parallels with werewolf myths in addition to the history and biology of one of the nastiest viruses out there. The scientist in me is quite excited about Rabid.

In short, it’s looking like it will be a pretty good autumn. What are you planning on reading? Let me know in the comments.

Book review: World War Z

World War Z: An Oral History of the Zombie War (Max Brooks) was the zombie book I couldn’t be bothered reading, mostly because the trailer for the film left me a bit underwhelmed. (I have still not seen the film, having had it described to me as ‘Globetrotting Brad Pitt’, so any advice as to whether it is worth my time would be greatly appreciated.) But I picked it up a few weeks ago, looking for something entertaining and gory, and I was positively surprised.

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Written as a series of interviews, Brooks weaves a nice story of a zombie plague, pulling in politicians, civilians and military personnel amongst others, to paint a surprisingly believable picture of a plague outbreak. Whilst the zombies themselves are make-believe, I did not have to suspend my disbelief at the portrayal of profiteers, accidental heroes, conspiracy theorists, desperate parents and myopic leaders. Indeed, some of the themes, such as isolationism and inept leadership, can hardly be said to belong solely to the province of fiction. The interviews span a range of responses to a pandemic, and the individual voices were done well enough for me to believe in the characters.

Writing the book as an assembly of individual accounts has one very obvious advantage: it allows for a generous number of viewpoints. When describing a global event, the number of responses and fates will be vast, and Brooks gets to cover more of these than if the story had followed a more traditional trajectory. This way, we can choose from all countries and all walks of life without shoehorning characters into one storyline. We also remove geographical constraints, meaning there will be more to the story than a besieged wal-mart or a stretch of motorway. Whilst it remains quite US-centric, it is refreshing to note that other continents get more than a brief mention.

In many ways, the book reminded me slightly of The Sheep Look Up by John Brunner due to the multi-strand narrative, although Brunner’s book is thematically different (deteriorating environment) and somewhat more dystopian.

Which brings me to my perhaps sole quibble with World War Z: it is less bleak than it could have been, despite being more serious than its predecessor The Zombie Survival Manual. I know it may not be everybody’s cup of tea, but for me, it would have packed a greater punch if it had received a greater infusion of pessimism. That being said, I still enjoyed it immensely and know many readers who prefer a hint of hope with their horror.

Brooks has said that he views the zombie more like a virus than a traditional predator, and that it is this aspect, the lack of any hope for rational discourse or negotiation, that makes the zombie frightening. As I’ve mentioned in a previous post, predation and contagions/infection are the two categories of horror that tend to generate the most successful horror films. Zombies tick both boxes. Yet, they somehow take a back seat in World War Z.

For sure, the zombie in World War Z is the catalyst, the fuel of the story and the indisputable monster of the tale, but the focus remains on the fighting living, not the walking dead. While there is no shortage of gore, I still thought that World War Z was more about the response to the zombie than the zombie itself. The zombie is the monster du jour: an oft-cited metaphor for an uncontrollable world, for pandemics, nuclear war and economic collapse. If we accept the zombie as metaphor, then World War Z becomes a tale of an overwhelmed world, our modern fears illustrated by a vast, unstoppable zombie horde, and it ends with the possible route to regaining control.

Then again, it might just be about monsters.

Either way, it works for me. I read in two thoroughly enjoyable sittings (which would have been one but for the need to attend work). In my view, it’s right up there with Cherie Priest’s Clockwork Century in terms of zombie excellence. If you’ve read it, or read any other zombie books that you can recommend, let me know in the comments!

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Book Review: Boneshaker

Steampunk zombies!!

If that isn’t enough to get you sold on Boneshaker by Cherie Priest, then I can add that it is a fast-paced reimagination of Seattle as a bowl of poisonous gas with hidden tunnels and clusters of badass survivors, villains and heroes alike. There be guns, there be airships, and there be the rumblings of the civil war in the east.

The premise of the story is as follows:

Civil war rages in the east but Washington has its own trouble and it is called Seattle. Sixteen years ago, Seattle was ravaged by the Boneshaker, a destructive vast mining machine made by Dr Leviticus Blue. It released the Blight, a noxious gas turning people into mindless creatures, ‘rotters’, hungry for flesh. The city was evacuated and a great wall erected to stop the Blight, but some survivors have dug their nails in, clawing out spaces for themselves between the Blight and the rotters, and not all of the survivors are friendly.

Briar Wilkes lives in the settlement outside the wall with her son Zeke. Daughter of the infamous prison guard Maynard Wilkes who died letting prisoners escape during the evacuation and widow of the reviled Dr Blue, she has few resources to call upon when Zeke sneaks into the city looking for evidence of his father’s innocence. Few resources but an old gas mask, a gun and grit.

When reading, I couldn’t help but think that it would be a fantastic, mad romp of a film, buckle aplenty and swash galore. Apparently, there was talk of a film about 5 years ago, but so far there’s been little news. If the steampunk Oliver Twist fares well, then perhaps Boneshaker would be next in line. And it would richly deserve to be so. The imagination in this book threatens to spill over, like the Blight slowly edging the top of the Seattle wall, but in a nice way.

It is an absolute pleasure to read, with good characters (including a female protagonist older, wiser and grittier than your average starlet) and a solid plot that kept me from putting the book down (and sometimes from breathing for several paragraphs at a time, because Zombies!). It is, however, in the world-building that Boneshaker truly shines. It’s rich, vast and detailed, like a huge machine packed with wonderfully intricate cogs and wheels, shifting and moving all around you. Also: steampunk zombies!

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(Boneshaker is the first book set in the Clockwork Century Universe)